Ellipses
From one film to another, it's true that I often use the same images, to remind people, to create a universe, to show that my work basically constitutes a single work. I can also, like here, deepen a procedure used much earlier, in this case in Un film brûlé (1984). I had torn and shifted the images relative to each other (thus creating a long crack) which I had then not been able to shoot, the film being limited to a soundt...