Echo
By appropriating the formal conceit of Hollis Frampton’s Nostalgia (1971), Echo celebrates structuralist cinema while expanding its horizons. Unlike Frampton’s original, Echo reverses the action of the series of personal photographs, burning on a heating-coil, allowing the voiceover to precede the image discussed, but also to meet, at last, with its flowering, unburned state, before the cycle begins again with the ash of t...